Timo Sarpaneva vase
This sculptural glass vessel — known as the Pullo or Bird Vase — was designed by Finnish designer Timo Sarpaneva and produced by Iittala in 1956. A seminal work in mid-century Scandinavian glass design, it exemplifies Sarpaneva’s poetic approach to form, material, and craftsmanship.
Blown in a single piece of richly colored glass, the vase is distinguished by its soft, organic silhouette, tapering neck, and subtly asymmetrical spout that lends it a bird-like character — a detail that inspired its nickname. The fluidity of the shape reflects Sarpaneva’s deep understanding of the glassblowing process, where the natural properties of molten glass are celebrated rather than constrained. The vessel’s saturated hue, a hallmark of Iittala’s mid-century production, enhances the sculptural presence of the piece, allowing it to function equally as a utilitarian object and a standalone work of art.
Timo Sarpaneva (1926–2006) was one of the most influential figures in 20th-century Finnish design. Known for his innovative work in glass, textiles, and industrial design, he helped define the international reputation of Finnish modernism. His long collaboration with Iittala resulted in many iconic pieces that blurred the boundaries between art and function, many of which are now held in major museum collections worldwide, including the Museum of Modern Art in New York.
This example is in good vintage condition with light signs of use consistent with age.
Dimensions are 9 cm wide, 9 cm deep, and 20 cm high (3.5 x 3.5 x 7.9 in)
Dimensions (cm) | H: 20 / ⌀: 9 |
| Producer | Iittala |
| Color | Purple |
| Decade | 1950s |
| Country | Finland |
| Style | Mid Century, Scandinavian Modern |
| Material | Glass |
| Designed in | 1956 |
| Item Number | 115120 |
Timo Sarpaneva
Timo Sarpaneva (1926–2006) was a Finnish designer and sculptor whose work became central to the international identity of postwar Finnish design. Moving fluidly between glass, textiles, cast iron, and graphic design, Sarpaneva combined technical...
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