Finn Juhl bench

This rare bench or side table, model BO-101, was designed by Finn Juhl and produced by Bovirke in Denmark in 1953. The piece is crafted in rosewood with brass details, combining a richly figured hardwood surface with industrial structural elements. The long, rectangular top displays a striking rosewood grain pattern with deep tonal variations and a highly polished finish. Brass edging runs along the sides of the top, secured with visible screws, forming a functional and decorative boundary that reinforces the edge and introduces a refined metallic contrast.

The bench rests on cylindrical legs composed of blackened metal with rosewood feet. These legs are connected by a system of metal braces arranged diagonally beneath the top, providing stability while maintaining an open, lightweight structure. The underside also features a suspended wooden panel that subtly curves along the length of the bench, an element characteristic of Finn Juhl’s sculptural approach to furniture construction.

Finn Juhl’s work often explored the relationship between floating planes and supporting frameworks, and the BO-101 model clearly reflects this influence. The minimal contact between the top and the legs gives the surface a sense of suspension, while the combination of wood and metal exemplifies Juhl’s ability to blend organic and engineered materials. Bovirke, the producer, was known for close collaborations with Juhl during the 1950s, resulting in pieces that emphasized craftsmanship and innovative structural solutions.

The bench has notable provenance, originating from the estate of art director and artist John Andersen (1932–2018). Early in his career, Andersen shared both an apartment and creative partnership with Danish artist Ib Antoni above Café Sommersko in Copenhagen. He later held senior creative roles at major international advertising agencies during the mid-century “Mad Men” era before establishing an independent practice. Andersen created logos, campaigns, and interior designs for various prominent figures, including Simon Spies. He also collaborated with several central companies in the Danish Modern movement, producing catalogue layouts for Bovirke. Through this relationship, he occasionally received furniture—often designs by Finn Juhl—in lieu of payment. This BO-101 bench originates from that collaboration and remained within the family’s inheritance until now.

The bench measures 183 cm in length, 45 cm in width, and 41 cm in height, corresponding to approximately 72 inches by 17.7 inches by 16.1 inches. It is in excellent condition with small signs of usage consistent with careful long-term ownership.