Vilhelm Lauritzen table lamp

This rare table lamp, designed by Vilhelm Lauritzen and produced by the Danish manufacturer Louis Poulsen in the 1940s, exemplifies a refined blend of Scandinavian design sensibilities, combining brass and teak in a way that emphasizes both functionality and aesthetic beauty. The lamp’s design is characteristic of Lauritzen’s architectural approach, where materials, form, and function are integrated seamlessly to create a harmonious piece.

The lamp features a brass shade with an organically shaped, asymmetrical form that resembles a softened teardrop. The shade is mounted on a gently curved brass arm, which extends from a cylindrical stem. A key design element is the turned teak section incorporated into the upright stem, adding warmth and tactile contrast to the metal components. This fusion of brass and teak not only creates a visually striking juxtaposition but also highlights the craftsmanship of Danish furniture design. The base is a simple circular brass disk, which provides stability to the lamp while mirroring the curves of the shade above. The interior of the shade is painted white to ensure efficient light reflection, creating a soft, diffused illumination.

Vilhelm Lauritzen (1894–1984) was one of Denmark’s most respected architects and a leading figure in modern functionalism. His work with Louis Poulsen produced some of the most iconic lighting designs of the mid-20th century. Lauritzen’s focus was on integrating lighting as a key element in architectural spaces, emphasizing not only functionality but also the creation of a comfortable, visually pleasing environment. His designs often favored understated elegance, with fixtures that complemented rather than dominated the space.

Louis Poulsen, founded in 1874, is renowned for its collaborations with prominent architects and designers, contributing significantly to the Scandinavian lighting aesthetic. The company became known for producing lighting fixtures that provided soft, glare-free illumination while also emphasizing sculptural, minimalist form.

This lamp remains in good vintage condition, with age-appropriate patina and minor signs of use, including surface marks and some oxidation on the brass components. The teak section remains well-preserved, adding a rich visual counterpoint to the metallic elements and maintaining the lamp’s original character.