Anders Pehrson table lamp

The Knubbling table lamp, designed by Anders Pehrson and produced by Ateljé Lyktan in Åhus, Sweden, is a refined example of Scandinavian mid-century lighting design. Introduced during the 1960s, the lamp exemplifies Pehrson’s signature approach: merging functionalism with soft sculptural expression. As a continuation of Ateljé Lyktan’s tradition of material quality and accessible modernism, the Knubbling stands as both a utilitarian object and a visually engaging presence in an interior.

The design is anchored by a polished brass base and cylindrical stem, which provide a stable, weighted foundation while contributing a warm metallic tone. The brass exhibits a mild patina that softens its surface and reflects its age, enhancing the lamp’s vintage authenticity. Rising from the base is the large, domed white acrylic shade, designed to gently diffuse light and minimize glare. The acrylic has been carefully shaped into a symmetrical hemisphere, offering a clean and modern silhouette that balances the reflective qualities of the brass.

The shade emits a soft, even illumination that is ideal for ambient lighting, making the lamp suitable for use on desks, bedside tables, or living room surfaces. It is designed to accommodate a 100W maximum bulb, ensuring strong light output without compromising the visual comfort created by the diffusing properties of the acrylic material.

The underside of the lamp retains its original label, verifying production by Ateljé Lyktan and confirming its provenance. The construction reflects high-quality standards, with stable materials, well-fitted components, and attention to tactile details such as the finish and proportions. Minor wear is visible on the shade and brass, consistent with age and gentle use, though the piece remains in excellent vintage condition overall.

Anders Pehrson (1912–1982), who succeeded Hans Bergström as artistic director at Ateljé Lyktan in 1964, played a crucial role in developing a catalog of expressive yet practical lighting that would become emblematic of Swedish design. The Knubbling model, in particular, demonstrates his commitment to human-centered lighting and enduring formal simplicity, continuing to resonate as a sought-after classic in mid-century lighting history.