Hans Wegner easy chairs

This pair of easy chairs, model FH1936, also known as the “Venus” chair, was designed by Hans J. Wegner and produced by Fritz Hansen in Denmark. These chairs are exceptionally rare examples of early Danish modernism, notable for their sculptural complexity, contrasting materials, and refined execution.

Each chair features a seat and backrest formed from molded Brazilian rosewood plywood, exhibiting highly figured grain patterns with deep reddish-brown and black tonal striations. The organic, elliptical seat and wing-like curved backrest are both elegantly shaped to support the sitter with minimal structural material, resulting in a form that appears simultaneously lightweight and sculptural.

The supporting frame is constructed in solid beechwood with a warm, honey-toned finish, offering a striking material and color contrast to the dark rosewood surfaces. The legs and stretchers are softly rounded and gently tapered, consistent with Wegner’s pursuit of refined ergonomics and tactile comfort. Structural elements are joined with traditional wood joinery, and the transition between frame and shell is achieved with precision-mounted hardware, leaving the appearance seamless and highly resolved.

Hans Wegner designed the FH1936 in the late 1940s for Fritz Hansen, one of Denmark’s most prominent furniture producers. This model, while lesser-known than his later iconic works for Carl Hansen & Søn, represents an important exploration of molded plywood as a medium for seating design. It predates and anticipates similar experiments by Charles and Ray Eames and Arne Jacobsen, making it a key piece in the evolution of laminated wood furniture.

Wegner, trained as a cabinetmaker and architect, was central to the development of Danish modern design and is celebrated for his ability to distill complex joinery and human-centered proportions into sculptural, essential forms. The FH1936 is a testament to his early experimentation with modern manufacturing techniques and organic form language.

The chairs are in excellent vintage condition, showing minimal wear and retaining their original finish. The rosewood surfaces display consistent luster and clarity, and the beech frames remain structurally sound with only slight evidence of age.

Each chair measures 68 cm in width, 61 cm in depth, 70 cm in height, with a seat height of 36.5 cm. In imperial units, this corresponds approximately to 26.8 inches wide, 24 inches deep, 27.6 inches high, and a seat height of 14.4 inches. These dimensions and materials make them suitable as statement lounge chairs in both residential and curated interior environments.