José Luis Sanchez sculpture

This mid-century sculpture, designed by José Luis Sánchez and produced in Spain during the 1950s, reflects the artist’s exploration of geometric abstraction and spatial structure. Executed in solid cast bronze, the piece is mounted on a rectangular base of white marble, creating a contrast between the warm, textured patina of the bronze and the smooth, cool tone of the marble. The composition comprises a dynamic interplay of intersecting vertical and horizontal volumes, forming an architectural configuration that evokes both balance and rhythmic movement.

The surface of the bronze displays a dark, patinated finish with tonal variation and subtle textural shifts, allowing light to interact differently across the planes. These variations contribute to the sculpture’s visual depth, enhancing the sculptural form’s engagement with space and shadow. The contrasting density and reflectivity of the marble base emphasize the solidity and material richness of the bronze, anchoring the composition while elevating its formal impact.

José Luis Sánchez (1926–2018) was a key figure in the development of Spanish modernist sculpture. Associated with the postwar movement toward abstraction, his work often combined architectural clarity with expressive materiality. Sánchez was known for synthesizing formal rigor and dynamic spatial relationships, drawing inspiration from constructivism and minimalism while maintaining a strong personal idiom. His sculptures were widely exhibited throughout Europe and contributed significantly to the redefinition of Spanish visual arts in the latter half of the 20th century.

This piece is part of a limited edition of 1000 and is numbered 857. It is signed “J.L. SANCHEZ” along the vertical edge of one of the bronze elements. The edition status and signature confirm the work’s authenticity and its connection to the broader body of small-format sculptures created by Sánchez during the 1950s and 1960s.

The sculpture measures 17 cm in width, 12 cm in depth, and 19 cm in height (approximately 6.7 x 4.7 x 7.5 inches). It remains in very good vintage condition, with a well-preserved patina and minimal wear to the marble base. As an example of Spanish mid-century abstraction, the piece embodies the era’s interest in material expressiveness, architectural form, and the interplay between mass and void.