Kay Kørbing ceiling lamps

This elegant pair of ceiling lamps, designed by Kay Kørbing and produced by Lyfa in Denmark in 1967, exemplifies the restrained yet expressive aesthetic of Scandinavian modern lighting from the mid-20th century. Kørbing, an industrial designer known for his refined use of materials and geometry, contributed a number of distinctive designs to Lyfa’s catalogue during the 1960s—a period in which the company was at the forefront of Danish lighting innovation.

Each lamp features a cylindrical form constructed from solid brass, which has developed a rich, natural patina over time. The patinated surface lends the lamps an understated warmth and character, underscoring their vintage authenticity and enhancing their architectural presence. The brass is punctuated by a subtle series of perforations that wrap around the lower edge of each cylinder, adding visual texture and allowing small points of light to escape when illuminated. This detail not only provides a decorative element but also demonstrates Kørbing’s attention to how light interacts with material and space.

Beneath the brass cylinder, a frosted glass diffuser completes the design. The diffuser is gently recessed into the body of the lamp, softening the light output and creating an even, glare-free illumination. This feature makes the lamps ideal for both general ambient lighting and more intimate, atmospheric settings, whether installed in a corridor, above a dining area, or as part of a symmetrical arrangement in larger rooms.

The formal clarity and material honesty of these lamps are typical of Danish modernism, and Kay Kørbing’s design language—anchored in geometry, proportion, and function—is clearly evident here. The use of brass, while luxurious, is employed with restraint, highlighting the designer’s balance between elegance and practicality.

Lyfa, one of Denmark’s most important lighting manufacturers, was particularly active during the 1950s and 1960s, known for its collaborations with leading designers such as Bent Karlby, Louis Weisdorf, and Kay Kørbing. The company’s lighting designs during this era emphasized clean lines, modularity, and innovative light diffusion—all principles present in this pair.

In terms of condition, both lamps are in very good vintage shape. The brass retains its natural patina, which adds depth and character without compromising the integrity of the finish. The glass diffusers are intact and free from cracks or discoloration, ensuring that the lamps perform as intended both visually and functionally.

This pair represents a rare and cohesive example of mid-century Danish lighting design, offering both collectible value and enduring utility. Their timeless cylindrical form and material palette allow them to integrate seamlessly into both period interiors and contemporary spaces, serving as both lighting and sculptural elements. As a matched pair, they offer symmetry and balance—an increasingly difficult-to-source configuration for collectors and design-focused interiors.