Oil painting

This oil painting presents a striking composition aligned with the principles of concretism, a mid-20th-century artistic movement that emphasized geometric abstraction, formal balance, and the autonomy of color and form. The work consists of interlocking color fields, each with distinct tonal values and surface textures, arranged to create a visually rhythmic and architectonic layout. The use of both rich and muted tones—deep greens, ochres, reds, yellows, blues, and browns—contributes to a sense of depth and dynamic contrast, while the absence of figurative or representational elements reinforces the painting’s focus on pure visual expression.

The texture across the canvas is varied, likely achieved through layered brushwork or the manipulation of the paint surface, enhancing the material quality of each color block. This approach adds dimensionality, allowing light to interact differently with each area and reinforcing the spatial relationships between forms.

Measuring 82.5 cm in height and 63 cm in width (32.5 x 24.8 inches), the painting is presented in a dark wooden frame that subtly outlines the composition without detracting from its internal movement. The condition is excellent: the canvas is stable, the surface shows no signs of cracking, fading, or discoloration, and the original pigment intensity remains strong.

Although the artist is unidentified, the stylistic language corresponds closely with European concretist movements of the 1950s and 1960s, which were informed by earlier constructivist and Bauhaus ideologies. The painting’s precision, non-objective imagery, and calibrated use of color suggest a deliberate and informed engagement with modernist abstraction, positioning it firmly within the context of postwar European geometric art.