Sven Wejsfelt floor vase

This large, unique ceramic floor vase was designed by Swedish ceramicist Sven Wejsfelt and produced in 1992 by Gustavsberg, one of Sweden’s most historically significant ceramic manufacturers. The piece exemplifies the expressive and sculptural qualities characteristic of Wejsfelt’s later studio work, combining bold form with nuanced glazing techniques.

Standing 35 cm high (approximately 13.8 inches), the vase has a commanding presence while retaining a refined silhouette. The form is vertically oriented with a wide, rounded body that subtly narrows toward the base and culminates in a gently tapering neck. This proportion lends the vase both visual weight and balance, making it suitable as a floor-standing or large-scale decorative object.

The surface is finished in a deep red glaze enriched with irregular green speckling, creating a dynamic, almost volcanic texture that enhances the sculptural qualities of the form. The layering and variation in the glaze reflect Wejsfelt’s control of ceramic surface treatment, where color and texture interact to produce a sense of movement across the object.

The base of the vase is inscribed with Sven Wejsfelt’s signature, confirming its status as a unique work. Unlike factory-produced editions, this piece was individually made, likely in the artist’s studio within the Gustavsberg atelier, where Wejsfelt worked extensively following his earlier industrial production career.

Sven Wejsfelt (born 1930) is known for his transition from production ceramics to expressive studio pottery. After training at Gustavsberg and working under the influence of Stig Lindberg and other leading figures, Wejsfelt developed a distinct style marked by robust forms, vivid glazes, and a tactile approach to surface. His unique works from the late 20th century often merge craft and art object, making them significant within the context of Scandinavian studio ceramics.

Gustavsberg, founded in the early 19th century, played a major role in Swedish ceramic innovation throughout the 20th century. By the 1990s, the studio department focused on small-run and individual pieces, supporting artistic experimentation by designers such as Wejsfelt.

This vase remains in excellent condition, with no noted damage or restoration, and serves as a striking example of contemporary Swedish ceramic artistry.