Otto Schulz sofa

This very rare sofa or daybed, designed by Otto Schulz and produced by Boet in Sweden, is a distinguished example of early 20th-century Scandinavian design, merging decorative elegance with a functional, architectural sensibility. Dating from a period when Swedish furniture design was transitioning from traditional craft-based methods to more streamlined modern forms, this piece embodies Schulz’s ability to bridge classical opulence with the emerging ideals of modernism.

The frame is constructed from solid beech, a wood prized for its strength and fine, even grain. The beech has aged gracefully, exhibiting a warm, honey-toned patina that enhances the visual warmth of the structure. The sofa’s form is defined by a gently curved backrest, upholstered in its original rich olive green velvet. The backrest features vertical channel tufting—an elegant, textural motif that adds rhythm and depth to the surface, while reinforcing the structure’s softly contoured silhouette.

Rounded, scroll-like armrests contribute to the sculptural fluidity of the design, drawing inspiration from classical furniture forms while maintaining a light and modern presence. The seat itself is broad and deep, allowing the piece to function equally well as a formal sofa or an occasional daybed. Its generous proportions and low profile speak to Schulz’s attention to comfort and spatial harmony.

The piece stands on tapering wooden legs, subtly turned and inset, which provide elevation and visual lightness, balancing the weight of the upholstered body. This elevated base not only contributes to the elegance of the form but also reflects practical considerations, such as ease of cleaning and maintaining openness in a room.

Otto Schulz (1882–1970), originally trained as an architect, brought a rigorous design methodology to his furniture. After founding Boet in Gothenburg in 1920, he became a central figure in shaping Swedish interiors, advocating for the integration of architecture, furniture, and decoration. Schulz was known for his use of fine materials, his attention to decorative surface treatments, and his forward-thinking approach to utility and space. His pieces are now regarded as precursors to the Scandinavian modern movement, retaining a strong collector interest due to their limited production and enduring visual appeal.

In very good vintage condition, this sofa retains its original velvet upholstery, which shows minor, age-appropriate wear—including softening and subtle discoloration consistent with time. The beech frame remains structurally sound and displays light surface wear that contributes to its authentic patina.

As both a seating solution and a sculptural object, this sofa/daybed reflects the confluence of craft, comfort, and elegance that defines Otto Schulz’s best work. It stands as a rare and important piece of Swedish design history—at once timeless and deeply rooted in the decorative and architectural currents of its era.