Peter Celsing attrib. wall lamps

These wall lamps, attributed to architect and designer Peter Celsing and produced in the 1960s by Falkenbergs Belysning in Sweden, represent a thoughtful balance between material expression and functional lighting. Combining copper and opaline glass, the lamps convey the quiet modernism and structural clarity associated with Celsing’s architectural language.

Each lamp features a semi-cylindrical form, constructed from patinated copper that envelops the back of the piece and flares outward into a subtle trumpet-like shape. This outward flare not only creates a visual accent but also enhances the light dispersion. The natural patina on the copper surface introduces a rich texture and tonal variation, adding to the lamps’ historical depth and character.

Housed within the copper shell is a gently curved opaline glass diffuser. The opaline surface provides even, ambient illumination while concealing the light source, preventing glare. This treatment of light—diffused and atmospheric—is consistent with mid-century Scandinavian lighting principles, where warmth and softness were prioritized in domestic settings.

The lamps measure 27.5 cm in height, 16 cm in width, and 27 cm in depth (approximately 10.8 inches high, 6.3 inches wide, and 10.6 inches deep). These dimensions make them suitable for installation in entryways, corridors, or beside mirrors and headboards, where they serve both a functional and decorative purpose.

Peter Celsing (1920–1974), though primarily known as a leading figure in Swedish modern architecture, also contributed to lighting and interior design projects. His architectural works are characterized by their structural honesty, material integrity, and sensitivity to light—all qualities that appear to inform the design of these lamps. While the attribution to Celsing is not formally confirmed, the design reflects his aesthetic values and the material palette often found in his work.

Falkenbergs Belysning, the Swedish lighting manufacturer responsible for producing this model, was active during the mid-20th century and known for collaborations with prominent architects and designers. Their focus on craftsmanship and durable materials is evident in the construction and longevity of these pieces.

The lamps remain in good vintage condition, with a structurally sound build and original components. The copper displays an even, natural patina, while the opaline glass is intact and continues to emit a soft, consistent light. These wall lamps stand as a refined example of Scandinavian lighting design from the 1960s, combining material quality with architectural sensitivity.