Kaare Klint armchair

This rare armchair, model no. 3758A, also known as “The Red Chair” was designed by Kaare Klint and produced by Rud. Rasmussen in Denmark during the 1930s. The chair exemplifies early Danish modernism and reflects Klint’s architectural approach to furniture design, where form follows function, and proportions are grounded in a classical study of the human body.

The frame of the chair is constructed from solid Cuban mahogany, presenting a rectilinear form that is subtly refined. The armrests are gently curved, and the underframe is structured with stretchers for added stability. The mahogany wood has aged to a warm, reddish-brown tone, displaying a visible depth and tight grain that reflects the high quality of the material. The craftsmanship is precise, with a clear focus on joinery and detail, typical of Klint’s rigorous design standards.

The seat and backrest are upholstered in original Niger leather, a vegetable-tanned hide known for its durability and rich texture. Over time, the leather has developed a pronounced patina, marked by mottling, discoloration, and wear consistent with age and use. This patina is a characteristic of Niger leather, especially from the pre-war period, and is considered a desirable feature that enhances the material’s tactile quality and historical significance. The seat exhibits soft sagging and natural deformation, indicating extended use, but still retains its structural integrity.

Kaare Klint (1888–1954) is often referred to as the father of Danish modern design. His work played a pivotal role in the development of functionalist aesthetics in Scandinavian furniture. Klint was instrumental in establishing the furniture design department at the Royal Danish Academy of Fine Arts, and his designs are celebrated for their rigorous proportions, human-centered focus, and clarity of construction, all of which are evident in this model.

Produced by Rud. Rasmussen, one of Denmark’s most respected cabinetmakers, the chair embodies meticulous craftsmanship and the use of fine materials. The collaboration between Klint and Rud. Rasmussen resulted in pieces that are highly regarded for their quality and design innovation, with this chair standing as a testament to their enduring legacy.

This armchair represents a synthesis of classical craftsmanship and modern design principles, making it a crucial piece in the history of Scandinavian design. Originally conceived as a ceremonial or council chair, its sculptural presence, tactile materials, and ergonomic proportions continue to make it relevant and admired today.

The dimensions of the chair are 61 cm in width, 56 cm in depth, and 89 cm in height, with a seat height of 44 cm (approximately 24 inches in width, 22 inches in depth, 35 inches in height, and a seat height of 17.3 inches).