Kaare Klint armchair

The rare armchair model 3758A, famously known as “The Red Chair”, designed by Kaare Klint and produced by master cabinetmaker Rud. Rasmussen in Denmark, is a quintessential example of early Danish modernism. Introduced in the 1920s, this chair represents the foundation upon which much of 20th-century Danish furniture design was built. With its restrained elegance, perfect proportions, and fine materials, the piece epitomizes Klint’s rigorous approach to functional design rooted in historical precedent and ergonomic precision.

Crafted from solid Cuban mahogany, the frame exudes warmth and depth, with a subtle reddish-brown tone and a tight, expressive grain that enhances the refined construction. Cuban mahogany—now extremely rare and protected—was prized in Klint’s time for its durability, workability, and visual richness. The craftsmanship by Rud. Rasmussen is impeccable, with precision joinery and hand-finished detailing that reflect the studio’s reputation for excellence in cabinetmaking.

The chair’s form is defined by clean, rectilinear lines softened by the gentle curve of the armrests and a slightly inclined backrest, which provides both aesthetic harmony and superior sitting comfort. Upholstered in natural leather, the seat and back panels are attached with exposed brass tacks—an intentional detail that adds both visual interest and a nod to traditional upholstery techniques. Over time, the leather has developed a rich patina, further enhancing the character and authenticity of the piece.

Kaare Klint (1888–1954) is widely regarded as the father of Danish modern design. A trained architect and furniture designer, Klint emphasized clarity of structure, human-centered proportions, and the importance of material honesty. His teaching at the Royal Danish Academy of Fine Arts shaped an entire generation of designers, including names like Børge Mogensen and Poul Kjærholm. The Red Chair, often used in Danish embassies and state buildings, stands as one of his most enduring and iconic designs.

Produced by Rud. Rasmussen—a firm closely aligned with Denmark’s highest cabinetmaking traditions—this chair is not only a functional object but also a cultural artifact. It represents the convergence of architectural thinking, historical study, and handcrafted perfection.

In excellent vintage condition, this example retains its original materials and structure. The mahogany has aged gracefully, showing a mellow sheen, and the leather upholstery exhibits a deep, well-preserved patina with no structural compromises.

As a rare and historically significant work, the Red Chair embodies the genesis of Danish modernism, where traditional craftsmanship met modern values of simplicity, utility, and timeless elegance. It is a highly collectible piece that reflects both the intellectual rigor and the material beauty of Scandinavian design at its highest level.