Erich Schmidt-Kestner sculpture

This alabaster sculpture by Erich Schmidt-Kestner (1877–1941) represents a standing female figure executed in a naturalistic style rooted in early 20th-century academic realism. The sculpture demonstrates Schmidt-Kestner’s refined approach to form and proportion, reflecting his classical training and interest in human anatomy.

Carved from alabaster, the work exhibits a soft, matte surface typical of the material, which allows for subtle gradations of light and texture. The alabaster is primarily white, with delicate pinkish undertones concentrated in the draped cloth that covers part of the figure. This slight coloration introduces tonal contrast and a sense of material variation, enhancing the sculpture’s visual depth.

The figure stands in a relaxed contrapposto stance, with one leg bearing the body’s weight and the other slightly bent. The posture, with a gentle forward lean, contributes to the composition’s sense of movement and grace. The anatomical detailing is fluid and proportional, particularly evident in the curvature of the limbs and the careful rendering of musculature and skin. The draped cloth, which appears to gather and fall naturally across the figure, is carved with rhythmic folds that offer both visual contrast and a dynamic element within the composition.

Measuring 60 cm in height and approximately 25 cm in diameter (23.6 x 9.8 inches), the sculpture has a presence that is both intimate and expressive. It is suited for display on a pedestal or elevated surface to appreciate its three-dimensional qualities and fine surface details.

The condition is good overall. Minor signs of age, such as light surface patina and small areas of discoloration, are present and consistent with the material and period. These do not detract from the clarity of the sculpted forms, which remain sharp and well-preserved, particularly in the facial features and intricate folds of the garment. There are no significant cracks or losses.

Erich Schmidt-Kestner was a German sculptor and graphic artist known for his work in the early 20th century, including both figurative sculpture and medal design. His practice was grounded in classical techniques, and he often focused on the human form rendered with elegance and technical discipline. This alabaster sculpture is a representative example of his sculptural work, demonstrating his sensitivity to form, material, and the expressive capacity of classical composition.