Ewald Dahlskog vase

This rare ceramic vase, designed by Ewald Dahlskog and produced by Bobergs Fajansfabrik AB in Sweden, exemplifies the refined craftsmanship and decorative sensibility of Swedish ceramic design in the early to mid-20th century. The vase features a warm caramel-colored glaze applied over a tactile, relief-patterned surface. The decoration consists of a repeating hexagonal honeycomb motif, with each cell containing a small circular indentation. This structured ornamentation adds both visual and tactile complexity, allowing the light to interact with the surface and enhance the dimensionality of the form.

The vase has a softly tapered cylindrical shape, gently narrowing towards the neck, and finished with a slightly flared rim. The proportions are balanced and symmetrical, reinforcing the precision of the decorative pattern. The glaze is even and slightly glossy, revealing subtle tonal variations that contribute to the warmth and depth of the piece. The color and surface treatment are characteristic of mid-century Scandinavian ceramics, where glaze quality and form were closely aligned.

The base bears the impressed code “D393” alongside the stamped factory mark of Bobergs Fajansfabrik AB, as well as a hand-painted inventory number “1749” in black, which likely denotes its model or production sequence. These markings confirm the authenticity and traceability of the piece within the manufacturer’s catalog.

Measuring 16 cm in diameter (6.3 inches) and 23.5 cm in height (9.25 inches), the vase is moderately scaled and well-suited for display as a decorative object. Its condition is very good, with the glaze intact and free from cracks, chips, or significant wear.

Ewald Dahlskog was a prominent figure in Swedish decorative arts, active in the first half of the 20th century. Known for his contributions to both Art Deco and functionalist ceramic design, Dahlskog worked with several leading manufacturers and brought a distinctive artistic rigor to his utilitarian forms. Bobergs Fajansfabrik AB, established in the late 19th century, was recognized for its production of decorative faience and ceramic wares and often collaborated with notable designers of the period. This vase stands as a testament to that collaboration, uniting formal clarity, tactile decoration, and material excellence.