Ib Kofod-Larsen easy chair
This very rare easy chair, model 423, was designed by Ib Kofod-Larsen and produced by the cabinetmaker Christensen & Larsen in Denmark in 1954. A variant of this model was featured at The Copenhagen Cabinetmakers’ Guild Exhibition at Designmuseum Danmark the same year, underscoring its importance in mid-century Scandinavian design.
The chair boasts a sculptural teak frame with organically curved armrests that flow seamlessly from the backrest, demonstrating Kofod-Larsen’s keen focus on ergonomic comfort and material sophistication. The original wool upholstery presents a striking contrast of two tones: black on the seat and backrest, with a neutral beige enveloping the outer shell. This combination of textures accentuates the chair’s dynamic shape while maintaining a subtle, refined elegance. The solid teak legs are tapered and slightly splayed, contributing to both the chair’s stability and its visual lightness.
Ib Kofod-Larsen is renowned for his elegant modernist furniture designs, often blending high-quality woodwork with thoughtful upholstery to create pieces that are both sculptural and practical. His work with Christensen & Larsen produced some of his most collectible and enduring furniture.
The chair measures 76.5 cm in width, 73 cm in depth, and 70 cm in height (30.1 x 28.7 x 27.6 inches), with a seat height of 39 cm (15.4 inches). It remains in well-preserved condition, showing minor wear consistent with its age and retaining its original upholstery and teak patina.
Literature
Grete Jalk [ed.]: “40 Years of Danish Furniture Design”, vol. 3, p. 276–277.
Dimensions (cm) | W: 76.5 / D: 73 / H: 70 / Seat H: 39 |
Producer | Christensen & Larsen |
Color | Beige, Black, Grey |
Decade | 1950s |
Country | Denmark |
Style | Danish modern, Mid Century, Scandinavian Modern |
Material | Fabric, Teak, Wool |
Designed in | 1954 |
Item Number | 140335 |
Ib Kofod-Larsen
Ib Kofod-Larsen (1921–2003) was a Danish furniture designer celebrated for his sculptural seating, refined joinery, and luxurious material combinations. Though lesser-known than some of his contemporaries during his lifetime, Kofod-Larsen’s re...
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