Game table

This Swedish game or poker table dates back to the 1930s and is by an unknown designer, reflecting a functional and understated design typical of the period. Constructed entirely from wood and finished in black lacquer, the table presents a uniform matte surface. The lacquer exhibits subtle aging and patina, particularly along the edges and joints, which adds to its authentic vintage character without compromising the structural integrity. The overall form is square and symmetrical, supported by four straight legs without tapering, emphasizing a geometric and utilitarian approach to the table’s construction.

The tabletop features a distinctive central rectangular panel that can be raised to reveal a built-in bar section beneath. This raised compartment is supported by four vertical struts and is designed with cutouts intended for bottles or glasses, signaling the table’s dual functionality as both a gaming surface and a serving area. At each corner, retractable semicircular trays slide out smoothly, each incorporating integrated cup holders, which enhance the table’s practicality in social settings. The beveled outer edge of the tabletop is subtle but deliberate, complementing the concealed mechanical elements that operate the trays and center elevation. These mechanisms are integrated into the table’s structure, showcasing an early example of functional design with concealed moving parts.

In terms of condition, the table is well preserved considering its age. The lacquer finish shows minor surface wear consistent with decades of use, but there is no visible structural damage. All moving components—such as the retractable trays and the central raising mechanism—appear intact and fully operational, maintaining the table’s original functional qualities.

The dimensions measure 89 cm by 89 cm for the width and depth, with a height of 75 cm, translating to roughly 35 inches square and 29.5 inches tall. The piece embodies a utilitarian Scandinavian design ethos from the early 20th century, balancing minimalistic aesthetics with practical innovation, despite the anonymity of its maker.