Arne Norell easy chairs

This rare pair of easy chairs, model Sirocco, was designed by Arne Norell in 1964 and produced by Arne Norell AB in Aneby, Sweden. The Sirocco chair is a quintessential example of the Scandinavian interpretation of the safari chair, reflecting both the influence of international campaign furniture and Norell’s distinctive approach to materials and proportion.

Each chair is constructed from solid rosewood, distinguished by its deep, reddish-brown hue and pronounced natural grain. The exposed wood frame is characterized by its modular, knock-down construction, where the structural elements are joined by visible fittings and tensioned leather. This approach not only highlights the materiality of the piece but also adheres to a philosophy of flexibility and practicality in furniture design.

The seating elements are suspended in original natural tan or cognac-colored leather, which includes the seat, backrest, and arm straps. The leather has developed a rich patina with visible wear, discoloration, and surface markings consistent with age and use, which enhances the chairs’ authenticity and historic value. The leather remains structurally intact and continues to function as intended.

The form of the Sirocco chair is low and relaxed, with a seat height of 37 cm (14.6 inches), an overall height of 72 cm (28.3 inches), and square proportions of 66 cm in both width and depth (26 x 26 inches). The slightly reclined backrest and angled legs contribute to the chair’s casual posture, while the absence of rigid fastenings between the leather and frame allows for adaptive comfort and mobility.

Arne Norell was known for his work in blending traditional craftsmanship with modernist principles. His designs frequently emphasize comfort and the tactile qualities of fine materials. The Sirocco chair, among his most recognized works, remains an enduring symbol of mid-century Swedish design, valued for its refined use of natural materials and its straightforward yet elegant construction. This pair retains the original aesthetic intentions of the designer and represents an increasingly rare example of 1960s Scandinavian seating.