Arvid Källström sculpture

This sculptural object, designed by Arvid Källström and produced in Sweden during the 1950s, is cast in solid brass and reflects the expressive formal language associated with mid-century Scandinavian modernism. The piece presents a freeform, asymmetrical composition that evokes organic structures—reminiscent of antlers, coral branches, or tree limbs—suggesting natural growth and dynamic movement.

The sculpture consists of four irregularly curved prongs extending outward from a central mass, each with its own orientation and curvature. The overall form is non-representational yet grounded in naturalistic suggestion, aligning with Källström’s interest in merging abstract expression with organic motifs. The surface of the brass is unpolished, bearing a rich, naturally developed patina with areas of green oxidation and darker tonal variation, consistent with its age. These surface qualities enhance the tactile character of the work and emphasize the sculptural depth and shadow play across the irregular contours.

The piece is signed “A. Källström” incised directly into the cast, attributing it to the Swedish sculptor Arvid Källström (1893–1967). Källström was known for his public monuments as well as smaller-scale sculptures in bronze and stone. His work often explored a balance between figuration and abstraction, with fluid, rhythmic lines and a strong sensitivity to material. Though active across much of the early to mid-20th century, Källström’s work remained engaged with the formal innovations of modernist sculpture, particularly as interpreted through a Nordic lens of material integrity and expressive restraint.

While designed as a standalone sculpture, the weight, stability, and structural profile of the piece allow it to function effectively as a bookend or decorative desk object. Its low center of gravity and extended form provide both visual presence and practical utility.

The dimensions are 22 cm in width, 11 cm in depth, and 15.5 cm in height (approximately 8.7 × 4.3 × 6.1 inches). It remains in very good vintage condition, with age-appropriate patina and surface wear that contribute to its character. This work exemplifies mid-century Scandinavian sculptural abstraction and stands as a compelling piece from Arvid Källström’s body of work—tactile, biomorphic, and materially expressive.