Harald Notini floor lamps

This very rare pair of floor lamps, designed by Harald Notini and produced by Arvid Böhlmarks Lampfabrik in Sweden during the 1930s, exemplifies the principles of Functionalism and Scandinavian modernism. The design features a tall, slender structure with a circular base and an upward-facing glass shade, embodying the clean lines and utilitarian aesthetic that defined early 20th-century modernist lighting.

The lamps are constructed from nickel-plated metal, giving them a reflective, silvery appearance that has developed a subtle patina over time, adding to their vintage appeal. The base and stem consist of simple, unadorned cylindrical forms, emphasizing the restrained design typical of Scandinavian modernism. The opaline glass shades are a milky white material, which diffuses light softly and evenly, creating a warm, ambient glow. The flared, tulip-like shape of the shades introduces a delicate contrast to the rigid geometry of the metal structure, adding visual interest and elegance.

Harald Notini was a prominent Swedish designer known for his work in lighting, where he successfully merged functionalist ideals with elegant, refined forms. Active at Arvid Böhlmarks Lampfabrik, one of Sweden’s leading lighting manufacturers, Notini contributed to the company’s legacy of producing high-quality fixtures that balanced craftsmanship with industrial techniques. Böhlmarks was instrumental in the development of Swedish lighting design, particularly during the early to mid-20th century, and remains recognized for its innovative designs.

These floor lamps are a reflection of the Scandinavian modern movement’s emphasis on functionality, quality materials, and minimal ornamentation. The upward-facing glass shades create indirect lighting, making them ideal for providing ambient illumination while maintaining a refined and sophisticated aesthetic.

The dimensions of each lamp are 172 cm (67.7 inches) in height and 26 cm (10.2 inches) in diameter. They remain in good vintage condition, with visible signs of wear on the nickel-plated surfaces and minor imperfections on the glass shades, consistent with their age. These lamps remain a fine example of early Swedish modern lighting design, combining elegance with practicality.