Sylvia Stave vase

This rare pewter vase, designed by Sylvia Stave and produced by Guldsmedsaktiebolaget (GAB) in Sweden in 1936, is a quintessential expression of Swedish Art Deco metalwork. It exemplifies Stave’s restrained, modernist aesthetic through its precise geometry, minimal ornamentation, and subtle material expression. The vase features a spherical body capped with a flat, disc-like collar surrounding a narrow, upright neck—a silhouette that emphasizes axial symmetry and the visual balance typical of Stave’s work.

The surface of the pewter is smooth and subtly reflective, interrupted only by a series of fine horizontal linear incisions that encircle the midsection of the form. These decorative bands provide a measured visual rhythm and gently break the continuity of the spherical surface, adding to the sense of architectural discipline while maintaining the minimalist ethos of the piece.

A soft, even patina has developed across the pewter surface, imparting warmth and depth to the otherwise cool-toned metal. This natural aging process lends the piece historical texture and enhances its sculptural presence. Signs of wear include minor surface abrasions and a small bump on the top ring, all consistent with the age of the object and not uncommon in vintage pewter. These features do not detract from the overall integrity of the vase but rather confirm its authenticity and period character.

The vase is stamped on the underside with the hallmark of GAB (Guldsmedsaktiebolaget), a leading Swedish manufacturer of fine metalware throughout the 20th century. Known for its collaborations with prominent designers, GAB was instrumental in producing high-quality decorative and utilitarian objects that bridged craft and industry.

Sylvia Stave, active primarily during the 1930s and early 1940s, is celebrated for her innovative and elegant contributions to Scandinavian metal design. Her work is distinguished by its rigorous form, structural clarity, and quiet sophistication. In this piece, her approach to design is evident in the interplay of geometry and surface treatment, with a focus on form as the primary vehicle for expression.