Uno & Östen Kristiansson mirror

Item number: 132244Category: Mirrors
Information

This rare mirror, designed by Uno and Östen Kristiansson and produced by Luxus in Vittsjö, Sweden during the 1960s, exemplifies the Scandinavian mid-century approach to everyday objects—balancing functionality with craftsmanship and natural material expression. The mirror serves both as a hand-held and wall-mounted piece, underscoring the Kristianssons’ interest in versatility and thoughtful design.

The construction features a circular reflective surface enclosed in a thick, rounded frame made from solid rosewood. The rosewood displays a deep, rich coloration with pronounced grain patterns ranging from straight lines to more dynamic, swirling figures. These variations highlight the organic qualities of the wood and contribute to the tactile and visual warmth typical of mid-century Scandinavian furniture. A slender turned rosewood handle extends vertically from the top of the circular frame, forming a characteristic silhouette that blends geometric simplicity with ergonomic design.

The rear side of the mirror is clad in black leather, lending the piece a refined finish and enhancing its durability. At the end of the handle, a looped leather cord allows the mirror to be hung on the wall, expanding its functionality beyond its use as a hand mirror. This dual-purpose design aligns with the ethos of Scandinavian modernism, which emphasized the utility of well-made objects that could adapt to different settings and purposes.

The proportions are carefully considered: the verticality of the handle contrasts with the circular form, creating a visually balanced yet dynamic object. The joinery and transitions between elements are finely executed, with smoothly polished surfaces and subtle detailing. The mirror pane remains intact and the condition is very good overall, with minimal surface wear consistent with careful use.

Uno and Östen Kristiansson were important contributors to Swedish postwar design. Through their company Luxus, founded in 1950, they developed a wide range of lighting, furniture, and decorative objects characterized by a restrained naturalism and a strong emphasis on material quality. Their work is distinguished by its consistent use of rosewood, teak, and opaline glass, shaped into elemental forms with high levels of craftsmanship. Luxus mirrors, such as this example, are especially prized for their sculptural clarity and enduring appeal.

The dimensions of the mirror are 20 cm in width, 2.5 cm in depth, and 40 cm in height (approximately 7.9 x 1 x 15.7 inches). This object stands as a refined and versatile expression of Scandinavian mid-century design, blending everyday function with enduring material and formal quality.

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