Sylvia Stave vase

Rare pewter vase, model 5295, designed by Swedish designer Sylvia Stave and produced by C.G. Hallberg in Sweden in 1931. The vase combines a streamlined, geometrically balanced body with a sculptural figurative finial, reflecting the transition between Swedish Art Deco and the emerging functionalist movement of the early 1930s. Its silvery-grey pewter surface and restrained decorative detailing are characteristic of Swedish metalwork from this period.

The vase features a rounded, pear-shaped body that gradually narrows toward a slender neck before expanding into a wide, flared opening. It rests on a small circular pedestal foot, creating a balanced vertical silhouette. Fine concentric grooves encircle the lower body, foot, and upper neck, introducing a subtle geometric rhythm to the otherwise smooth surface. The removable, gently domed lid is crowned by a sculptural female figure in a stylized dancing pose, with one arm raised above her head and a swan extending from her lower body. The figure stands on a small, ribbed oval plinth and provides a decorative contrast to the simplified architectural form of the vessel.

Sylvia Stave (1908–1994) was a Swedish designer best known for her innovative metalwork created during her association with C.G. Hallberg in Stockholm. She became one of the notable figures in Swedish decorative arts during the interwar period, developing objects that combined functionalist geometry with the expressive qualities of Art Deco. Her designs frequently incorporated rounded volumes, stepped profiles, and carefully proportioned surfaces, demonstrating an interest in both industrial production and sculptural form. Her work from the early 1930s represents an important contribution to the development of modern Swedish metal design.

C.G. Hallberg was established in Stockholm in 1860 and became one of Sweden’s prominent manufacturers and retailers of silverware, pewter, and decorative metal objects. During the early 20th century, the company collaborated with contemporary designers and produced objects that reflected changing artistic movements, particularly Swedish Grace, Art Deco, and functionalism. Its pewter production during the 1920s and 1930s combined traditional metalworking techniques with modern forms and decorative treatments. The underside of this vase bears the manufacturer’s marks, including the Swedish pewter designation “Svenskt Tenn” confirming its material and Swedish origin.

The vase remains in good vintage condition, with minor signs of age and use. The pewter surface displays a soft silvery-grey patina with light oxidation, superficial scratches, and small areas of discoloration consistent with its age. The engraved concentric detailing remains clearly defined, and the sculptural finial retains its original form. The removable lid and body appear well preserved, with no major visible structural damage.

Diameter 9.5 cm (3.7 inches), height 28.5 cm (11.2 inches).