Dining Room with Finn Juhl Table
A composed dining and lounge interior by Studio Schalling, centred around Finn Juhl’s NV-56 dining table and a set of Hans J. Wegner Cowhorn chairs.
The round teak table anchors the room as a place for gathering, its warm surface and softly curved legs echoed by the surrounding chairs in teak, rosewood and woven cane. Around it, lighting, ceramics and storage pieces add further depth – from the Paavo Tynell ceiling lamp above to the Otto Schulz cabinet and Carl-Harry Stålhane floor vase along the wall.
To the side, the Maija-Liisa Komulainen sofa introduces a softer lounge element, balanced by the Mauri Almari floor lamp and a small grouping of objects. Together, the interior moves between dining and relaxation, bringing wood, brass, ceramic and textile into a rich and layered showroom environment.
The PH-2/2 wall lamp by Poul Henningsen creates a warm focal point against the deep plum wall, bringing a sculptural accent to the composition. Sold as a pair, the lamps were produced by Louis Poulsen in Denmark during the 1930s and feature Henningsen’s distinctive three-shade system in amber-colored glass with richly patinated browned brass.
Its curved wall arm and compact proportions lend an elegant architectural character, while the illuminated glass introduces a deep golden tone that enhances the sculptural quality of the design.
The foldable mirror introduces a graphic element with its three connected panels – creating a rhythm of reflection, angles and lacquered color. Produced in Sweden during the 1950s, the mirror combines practical function with a decorative sharpness, its red and gold-toned wooden frame adding a refined contrast to the darker backdrop.
Below, the ceramic bowl by Carl-Harry Stålhane for Rörstrand adds a vivid material accent. Its low conical form and mottled turquoise glaze bring a softer, more organic note to the wooden surface, balancing the mirror’s angular geometry with color, depth and hand-crafted texture.
The very rare sofa by Maija-Liisa Komulainen for Oy Uusi Koti introduces a soft, enveloping presence, its curved back and open silhouette giving the lounge area a calm and distinctive character. Designed in Finland during the 1950s, the piece balances clarity of form with a strong sense of comfort, while its function as both sofa and daybed reflects the thoughtful versatility often found in mid-century Scandinavian furniture.
Placed beside it, the Mauri Almari floor lamp adds height and movement, its three upward-reaching brass arms unfolding with an organic rhythm. Produced by Idman in Finland, the lamp reflects the material sensitivity associated with Finnish mid-century lighting, combining a warm aged brass patina with softly tapered, tulip-like glass shades.
The table lamp brings immediate warmth to the corner, its perforated brass cylinder casting a soft, patterned glow across the surrounding surfaces. Designed by Pierre Forssell in Sweden during the 1950s, the aged brass gives the piece depth, texture and a mellow sense of light.
Beside it, the Florens vase by Gertrud Lönegren for Rörstrand adds a softer material note. Its rounded form is built up through raised rectangular reliefs, while the yellow-brown glaze shifts subtly across the surface, balancing the brightness of the lamp with an earthy, grounded quality.
Both pieces rest on a rare Danish Art Deco side table from the 1930s. The circular green marble top introduces movement through its natural veining, while the brass base echoes the warm metal of the lamp.
The Paavo Tynell ceiling lamp draws the eye above the dining table, its perforated brass shade adding a warm, softly patterned light to the scene. Designed as model A1957 and produced by Taito Oy in Finland during the 1950s, the lamp combines a bell-shaped shade with a height-adjustable counterweight and pulley system – a practical detail that also gives the piece a distinctive visual character.
Behind the table, the Otto Schulz cabinet brings weight and warmth through its honey-toned elm surface and balanced front. Designed by Schulz and produced by Boet in Sweden during the 1930s, the cabinet is organized with two large drop-front compartments and a central section of drawers, combining generous storage with a calm, carefully structured expression.
The set of Hans J. Wegner Cowhorn chairs brings warmth, craftsmanship and a strong sense of character to the dining area. Designed by Hans J. Wegner and produced by Johannes Hansen in Denmark, the chairs are among the most distinctive interpretations of the mid-century dining chair, combining the comfort of an armchair with the lightness and practicality of a side chair.
Crafted in teak with rosewood detailing to the upper back, each chair is defined by its outward-curving “cowhorn” arms, visible finger joints and woven cane seat. The mix of materials gives the chairs both texture and clarity, while the compact proportions allow them to sit comfortably around the table without feeling heavy.
